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Showing posts with label minimal techno. Show all posts
Showing posts with label minimal techno. Show all posts

Thursday, July 16, 2009

Collaboration Celebration


Mathew Jonson & Dandy Jack / photo: Reuben Sweeney

The latest podcast from Resident Advisor features Pisco Sour, a collaboration between Butane and Dandy Jack. In all honesty, I have yet to listen to it, but I was most interested in the interview, and particularly loved what Martin Schopf (Dandy) had to say about collaborations.

Q: You've continued your string of collaborations, play with Mathew Jonson at Mutek and here with Butane. Do you prefer collaborating to solo work? And are there any future collaborations we can look forward to?

A: Between two people there is always a challenge, mixed up between friendship, love and musical affinity. You go into something that could never happen in your dreams; it's an improvisation. This can be magic, but also a disaster. So you go to your gig, simply expecting full control or total chaos. In this case you are exposed to your partner and the public in a silent way, even if the sound is loud and unacceptable and you want to close your ears. There are not many people you are able to do this with.


You can read the entirety of it here, and download the podcast as well.


Mathew Jonson & Dandy Jack / photo: Reuben Sweeney

I'm happy to see his live Mutek set mentioned again. While I was unable to make it to Montreal after a perfect and long weekend in Detroit, I heard so much about their collaboration at Metropolis. Fortunately, it's all recorded, and now available here. Thanks to TNL for passing it over, and enjoy - Jonson starts things off with a slightly sped up version of his latest B-side, "When Love Feels Like Crying," which is a gorgeous and essential track for the mild and sunny summer we've been having in the Northeast.


Audible:
Mathew Jonson vs. Dandy Jack, live @ Mutek 2009

Friday, May 1, 2009

Louderbach : Autumn



Opinions are not fact, but it's safe to declare that dark techno + vocals - merging the full-band sound of Joy Division with modern technology - can sometimes be a huge, cheesy disaster.* Fans of Bauhaus, Coil and Richie Hawtin are in good hands in regards to the new Louderbach release. The follow-up to their 2006 LP, Enemy Love, Troy Pierce and vocalist Gibby Miller have collaborated to bring Autumn just in time for summer. Intensely dark but delivered with a brightening crescendo, the album works best as one long mix. Ultimately, that's what it is, but given the song structures the tracks work on their own as well. The opening title track is a bit hard to digest the first time around, with its saturated minor keys and adjusting to the onset of vocals on a minimal techno album. By the time you reach "Notes," however, the album has a steady grip and smooth amalgam of vocals and synths. "So This Is Control" has a gorgeous laid-back attitude. At times, Autumn is the angelic companion to Pan Pot's Pan-O-Rama. While both records are certainly dark, there is a comparable and uplifting tone to many of the minimal/housey tracks on Louderbach's latest.

MySpace: Louderbach